Skip to main content

Story-notes for "What Little We Know"


"What Little We Know," started life with these two sentences: "A young man falls in love with a statue who he believes saved his life. He sacrificed everything to save and protect it in return." This synopsis is fairly typical, by the way, for my story ideas. One or two sentences about an image or concept I can't shake out of my head. There was something in this idea I felt interested me, especially after reading Thomas Ligotti's "The Medusa," which I found very inspiring for writing a certain type of 'cozy gothic.' Like the myth of Set's Coffin, the Medusa illustrates the dread of knowing someone is walking into a trap made bespoke for them. I already envisioned the statue as a monster, as something predatory.


The idea sat unused for about half a year until the Spring of 2016. I researched a few ideas concerning statues and monsters which is when the egregoi and Atlantis stuff started to accrete around the edges. I finished a draft and put it aside until the late autumn of 2016. Somewhere in that process the narrator switched from a boy to a girl, and from simply a girl to a member of a secret society. This motif of the secret society appears in a few of my stories, "Again and Again" prominently but also in my serial novel "Agent Shield and Spaceman," and a currently unpublished story called "Strays." The thin line between secret societies and cults has always interested me, as well as the sacrifices the members of these societies willingly make. 

As I went through the drafts, the central conflict shifted from the girl and the statue to the girl and the boy. The desire of the boy to know more about the girl's life, to join her life as a willing participant felt very interesting to me even as I grew certain he was not the protagonist. The story contains a kind of love triangle where the boy seeks to transform his relationship with the girl, even as the girl seeks to transform her relationship with the statue. And as for the statue? It just wants to devour the boy.

And that's pretty much it. Compared to some of my stories, I think I went on a bit of journey with this one but its destination feels very right. I'm certainly happy with the company its currently keeping in the December Issue of Fantasia Divinity Magazine. If you have a chance to read it, let me know!

Comments

Popular posts from this blog

With the title World War Z

Early on in the mostly disappointing zombie epidemic thriller World War Z, UN Investigator Gerry Lane (Brad Pitt) hides out in a Newark apartment, trying to convince a family living there to flee with him from the hordes of sprinting, chomping maniacs infesting the city. The phrase he uses, drawing from years of experience in the world's troubled war-zones is "movement is life." Ultimately he's unsuccessful, the family barricades their door behind him and they join the ever-swelling ranks of the undead. As far as a guiding philosophy goes for a pop-action thriller like World War Z, 'movement is life,' isn't bad. And for the first half of the movie or so, it follows its own advice. Similar to other recent zombie movies (Dawn of the Dead, Shaun of the Dead) the warning signs of what the rest of the movie will bring are subtle and buried until all hell is ready to break through. The television mentions 'martial law,' Philadelphia traffic snarl
I’m going to take a slightly abbreviated approach to this year’s best-of lists and mostly focus on movies. It’s not that I didn’t read or listen to music but for whatever reason I feel uninspired to talk about either topic. C’est la vie! So in no particular order are five movies I greatly enjoyed watching this year. Firstly, Avengers: Endgame. Well, I guess there is some order to this list because literally the first thing I thought of in terms of movies I’ve seen is this movie. It is inevitable! This is the one MCU flick it’s hard for me to remember as simply a super-hero film. Although I found its predecessor a bit more more compulsively watchable, I really enjoyed this film. First of all it’s tone, which veered from despair, heist hijinx, parental reconciliation, to epic mega-brawl was never boring. Even the gorgeous mess which is that final fight has its own interior logic and sports some of the best looking cinematography this side of Black Panther. With Endgame MCU found a

Reading Response to "A Good Man is Hard to Find."

Reader Response to “A Good Man is Hard to Find” Morgan Crooks I once heard Flannery O’Connor’s work introduced as a project to describe a world denied God’s grace. This critic of O’Connor’s work meant the Christian idea that a person’s misdeeds, mistakes, and sins could be sponged away by the power of Jesus’ sacrifice at Crucifixion. The setting of her stories often seem to be monstrous distortions of the real world. These are stories where con men steal prosthetic limbs, hired labor abandons mute brides in rest stops, and bizarre, often disastrous advice is imparted.  O’Connor herself said of this reputation for writing ‘grotesque’ stories that ‘anything that comes out of the South is going to be called grotesque by the northern reader, unless it is grotesque, in which case it is going to be called realistic.’ This is both a witty observation and a piece of advice while reading O’Connor’s work. These are stories about pain and lies and ugliness. The brutality that happen